The term “comfort women” refers to the women, mainly from the Korean Peninsula and China, who had been forced to serve as sexual slaves by the Japanese Imperial Army during the Second World War. The problem emerged at the beginning of the 1990s and became an impediment especially in relations between Japan and South Korea. The article analyzes how the “comfort women” issue was approached to by nongovernmental organizations (NGOs) in both countries. It is argued that while the problem led to invigoration of civil society institutions, it also incited strong nationalist movements. Anti-Japanese feelings in South Korea contributed to lack of flexibility in negotiations with Japan and rejection of the apologies by the government of that country. Such reaction, in turn, weakened the position of moderate NGOs in Japan that tried to compensate the victims, and made them prone to criticism from right-wing movements. The paper examines these complex developments.

Japanese literature has been known in Poland at least since the end of the 19th century, when first translations were made of Japanese prose and poetry (although via English or other languages). I consider the first translation made directly from Japanese into Polish language a short story by Kikuchi Kan, entitled Tusz ('Ink'), published in April of 1939, in a monthly magazine "Echoes from Far East." In the same magazine we can find also many examples of stories and poetry written not by Japanese, but by Polish authors, fascinated with Japan and its culture. Works by the same authors: Maria Juszkiewiczowa, Aleksander Janowski, Antoni Kora, Leon Rygier, Remigjusz Kwiatkowski and others were published also in other newspapers and magazines, and as separate novel books. While some short mentions about the earliest translations may be found in books on Japanese literature and contacts between Poland and Japan, novels, stories and poems written originally by Polish authors inspired by Japan are now all but forgotten. Hardly any of them were published again after World War II and they are not to be found in regular libraries. In the present paper I concentrate on the forgotten jewels of Polish prose (and to some extent poetry and drama) based on Japanese themes, published before World War II.

The shrine antechamber is a standard component of the Indian temple architecture. It was originated in the Buddhist context, and the context was the rock-cut architecture of the Deccan and central India. The first antechamber was attempted in circa 125 CE in the Nasik Cave 17. It was patronised by Indrāgnidatta, a yavana , who possibly hailed from Bactria. The second antechamber was created in Bāgh Cave 2 in ca. late 466 CE. The patron remains unknown. The third antechamber was initiated in Ajanta Cave 16 within a few months. It was patronised by Varāhadeva, the Prime Minister of Vākātaka Mahārāj Hari Sena. When the third antechamber was only half excavated, the plan was cancelled by the patron himself due to a sudden threat posed by the Alchon Hūns led by Mahā-Sāhi Khingila. The Nasik antechamber was inspired from Bactria, the Bāgh antechamber was inspired from the parrallels in the Greater Gandhāra region, whereas the Ajanta Cave 16 antechamber was inspired from Bāgh Cave 2.