The interview with Michele Salzman, a renowned scholar of Late Antiquity at the University of California, Riverside, focuses on issues of reinterpreting the methods of the historian of anti-quity in the face of new research developments. Here Salzman outlines the importance and possibilities of interdisciplinary studies and the global dimension of Late Antiquity, outlining the possible research horizons of the coming decades. Referring to the case of the decline of the Roman Empire, the conversation deals with the ways in which the interpretation of the past can be understood as a reflection of the current desires or fears of societies in times of crisis. Special attention in the conversation was given to the issues of resilience and the role of women in the period of Late Antiquity.

The present contribution considers the Pannonian ‘inner fortifications’ in the context of the development of the infrastructure and urban fabric of selected sites on the Lower Danube. Using Sándor Sopronis’ thesis, which postulates that a multiple defensive system gradually expanded in Pannonia after the time of the Tetrarchy, as a starting point, this study concentrates on the inner fortifications founded in the middle third of the 4th century AD in the hinterland of the Limes (Környe, Tác / Gorsium, Keszthely-Fenékpuszta and Alsóheténypuszta) which, together with towns such as Sopianae, Mursa, Cibalae, Sirmium und Bassianae, constituted an inner line of defence. Whether they functioned in a civil or purely military context is a subject that has been, and still is, much debated. However, they appear to have played a significant role in the storage, distribution, and perhaps production, of the annona. A similar situation can be observed on the Lower Danube, in the provinces of Dacia Ripensis, Moesia Prima and Scythia. Here too a series of castra and towns, which took on similar functions in the course of the 4th century AD, are found some 30 to 50 km from the frontier. This area however saw a further development well into the late 6th century AD: several sites continued to play a central role as the sees of bishoprics in the Early Byzantine Period. The examples of Abritus and Tropaeum Traiani, which both possess elements that are strikingly similar to the Pannonian establishments, are used here to gain insights into the processes at work and to discuss the structural parallels comparatively.

Niniejszy artkuł dotyczy tradycji antycznej w sztuce europejskiej oraz wpływu antyku na naszą europejską tożsamość. Temat recepcji antycznych wzorców na sztukę, w tym w szczególności na architekturę doby średniowiecza, a więc epoki najbliższej chronologicznie spuściźnie Imperium Romanum, towarzyszył autorce od początków jej pracy naukowej. Ten osobisty stosunek do poruszanego zagadnienia oraz przekonanie o tym jak istotne dla rozwoju europejskiej myśli artystycznej są osiągnięcia kultury antycznej, sprawiły, że zdecydowała się do niego powrócić. Bowiem pomimo upływu lat jest on wciąż aktualny i konsekwentnie rozwijany przez badaczy krajowych i zagranicznych.

The authors of this paper examine the ancient concepts of translatio, imitatio and aemulatio. The text goes over some problems of the heritage of antiquity and its reception in European culture of the early modern period. These questions were discusssed during the international conference “Heredes et scrutatores. Attitudes towards Antiquity in the Renaissance and in the Early Modern Period”, which was held on 19–20 May 2016 at the University of Warsaw. It celebrated the 200th anniversary of classical studies at this university. The conference seeked to explore the changing attitudes towards the heritage of classical antiquity in post-classical European culture. The scholars participating in the meeting tried to (re)examine the diversity of these attitudes in the period between the Late Middle Ages and Early Modern Times and to reflect on a number of related problems, among which were the theoretical viewpoints that had been suggested to describe this diversity. One of them, which gave its name to this conference, distinguishes between two general approaches: that of the “users”, concentrated on adapting the classical legacy by means of procedures inherited from the ancient Romans, and that of the “researchers”, which replaced the former procedures with ones typical of scholarly cognition. The participants discussed theoretical issues and concrete cases illustrating the ways that the intellectuals of the Renaissance and Early Modern Times approached the Greek and the Roman legacy. The connections between past and present attitudes towards antiquity have also been be the subject of the debate.

Celem artykułu jest analiza dwóch głównych źródeł ikonograficznych przedstawień Adama i Ewy w malarstwie ściennym w III–IV w. Scena grzechu pierworodnego początkowo pojawiła się w malarstwie ściennym, a najstarsze przedstawienia datowane są na III w. W następnym stuleciu wizerunki prarodziców przeniknęły zarówno do rzeźby sarkofagowej, jak i rzemiosła artystycznego. Autor artykułu zestawia ze sobą dwa różne źródła ikonograficzne, które wspólnie wpływają na ostateczny wygląd przedstawień sceny grzechu pierworodnego w sztuce tego okresu. Kluczowym źródłem literackim obok tekstu Księgi Rodzaju jest apokryf Życie Adama i Ewy, który pozwala na prześledzenie innej sekwencji wydarzeń związanych z historią grzechu pierworodnego. Z kolei antyczne przedstawienia Herkulesa oraz bogini Wenus pozwalają dostrzec związek między wizerunkami prarodziców a ikonografią pogańską.

Opatrzony komentarzem przekład egipskiej noweli o królu Nektanebo II i pewnym pisarzu hieroglifów, zachowanej fragmentarycznie na jednym papirusie greckim i czterech demotycznych.

The interview provides a record of a conversation held during the XXIII International Congress of Historical Sciences in Poznan, with late antiquity scholar and epigraphic specialist Ignazio Tantillo (professor at the Università di Napoli “L’Orientale”). The conversation revolves around the matter of understanding the peculiarities of Late Antiquity in terms of an autonomous period in history, the temporal and spatial framework of which remains the subject of deliberations to this day. In the article, Ignazio Tantillo discusses the role of new challenges and hopes for scholars of Late Antiquity in the coming decades. The conversation also includes a reflection upon the nature of the historian's involvement in the public sphere, the (paradigm of public history), especially in the context of the “cancel culture” phenomenon.

The Kórnik Library is one of the oldest and most valuable establishments in Poland. By creating a library during the Partitions of Poland and collecting valuable old books and manuscripts, Tytus Działyński intended to save and foster Polish culture and traditions for posterity. Heir to Tytus – Jan Działyński – secured and expanded the Library. Having no heir himself, Jan Działyński left the Działyński inheritance to his nephew, Władysław Zamoyski, who continued his grandfather's and uncle's work. Just before his death, Władysław Zamoyski donated the entire inherited property to the Polish nation. In 1924, he established a Foundation meant to supervise the Library, a museum and the Institute of Dendrology. The Zakłady Kórnickie Foundation operated until 1953 when it was taken over by the Polish Academy of Sciences and has remained within its structure until today. The library continues assembling, developing and sharing its collections. The latest technologies have enabled us to provide the library and museum collections to the largest possible number of readers. The collections have been successively digitized and made available on the Digital Platform of the Kórnik Library created as part of the EU project POPC.02.03.01-IP.01-00-002/15 “Digital access to the resources of the Polish Academy of Sciences in the Library”.

ABSTRACT:

The purpose of this article is to determine the origins of the enigmatic image appearing on a Silesian bracteate of the Rataje type (Fbg 70). The image has recently been interpreted as radiating circles of light and its symbols associated with St John the Baptist, whose figure appears on Silesian coins relatively often. While analysing the numismatic material, the author focuses on two types of coins which may have served as the model for the Silesian bracteate: half-bracteate from Hedeby, issued in all probability during the reign of Harald Bluetooth (958–987) and the Celtic stater, struck in Lesser Poland (or in Silesia) in the first third of the 1st century BC.

SUMMARY:

One Silesian bracteate from the Rataje group (the issue from 1220–1240) features an image which should be interpreted as radiating circles of light (fig. 1). A closer analysis allows the conclusion that such an interpretation might be based on the Prologue to John’s Gospel, where John the Baptist is associated with the symbolism of light (J 1, 4–9). In the text, Christ’s predecessor is presented as the witness to the Light, heralding the arrival of the Saviour.

While looking for the model, the creator of the die of the Rataje bracteate may have relied on, one might arrive at two alternative solutions. The first one may be related to the half-bracteates struck in Hedeby, associated with the first half of the 10th century and sometimes with the times of Harald Bluetooth’s rule (958–987) (fig. 3), which were, in turn, modelled on Charles the Great’s pennies, struck in Dorestad approximately until the year 790 (fig. 2). Younger half-bracteates from Hedeby, coined in the second half of the 10th century appear both in Pomeranian (such as Gralewo II, Rybice or Świnoujście–Przytór) and Silesian finds (Bystrzyca, Gębice, Kotowice II and Radzików II). Hence, it is possible that they served as the model for the Silesian bracteate in the era of advanced renewal, necessitating frequent changes in the appearance of the dies.

The other solution would identify Celtic staters of the Cracow type as the model for the Rataje bracteate. The coins minted in Lesser Poland from around 100 BC to around 30 AD were described by Marcin Rudnicki in 2012. On some specimens, classified by the scholar as group I, representing “the earliest, prototype variants of the Cracow type” and dated by him to the period from around 100 to around 70 BC, the elements of the die form a composition significantly similar to the image on the Rataje bracteate. Although the Cracow type staters have not been recorded in Silesia, there is no doubt that the coins reached the region, a fact confirmed by their occurrence in Central Poland as well as in Bohemia, Slovakia and as far as in the Zagreb area.

Using the Celtic stater as the iconographic model for the Silesian bracteate might have been connected with the so-called “heads” or “St John pennies”. The name, appearing in sources from 1445 onwards, although certainly used in Poland much earlier, was given to Roman coins, found mainly in Polish lands, whose obverse featured the emperor’s head (identified with the severed head of John the Baptist). It is possible that the notion of “St John’s pennies” designated also other ancient coins. This fact, as well as original iconography, may have influenced the use of the transformed motif from the Celtic coin obverse on the die of the Silesian bracteate. Owing to the rays, the composition may have been associated with the symbolism of light, closely connected with the patron of Silesia and emphasised by the liturgy at the time.