The present paper analyses the self-portrait of Isabelle Eberhardt emerging from the letters she wrote to three men: her brother Augustin de Moerder, her friend Ali Abdul Wahab and her husband Slimène Ehnni. The paper is divided into three parts. The first one discusses her desire of Orient, the second shows her will of annihilating herself and the last one focuses on the power of the desert which helps the writer to find the desired calm.
This article analyses the disorder in functioning of will by the example of characters from a few texts of French symbolism. On the basis of experimental psychology research described in Les Maladies de la volonté of Th. Ribot, there are discussed the example of people which unfulfilled or obsessive desires point to weakening of will due to the lack or excess of impulse. So next to the characters of aboulic individuals created by T. de Wyzewa i J. de Tinan, in the texts of Villiers de L’Isle-Adam and M. Schwob we can see people pursuing at any cost the achievement of power, or the confirmation of oneself uniqueness.
Zola's novel world can be seen as a play of forces that takes place in a strictly defined spatial configuration between aspirational characters striving to realize their desires; the body in motion becomes their expressive medium. Always semantically marked, movement is not only understood as the hero's movement between points in space. In this analytical perspective, based on the body of La Curée et L`Argent, the movement becomes the embodiment of the will / desire, the transformation of thought into action, what is potential into real.
Roger Scruton repudiates the idea that civil liberty is a natural and unconditionally desirable state of citizenry, while subjection is something degrading and unnatural. He characterizes the conservative political system as a ‘rule by institutions’ supported by a theory of nature and a theory describing the functioning of institutions. National politics results from operations of social and political institutions which have grown out of traditional arrangements, respect raison d’État, and are governed by offices. The author argues that this is a sound interpretation of essential political arrangements, if it can solve the problem of political reconstruction after a period of decline or disintegration. As a matter of fact Scruton offers such a solution in his analysis of various forms of liberalism, one of which he seems to identify with conservatism.
The first part of the paper concentrates on the motive of desire, strictly related to the concept of will, in two stories from Les Ombres sanglantes [The Bloody Shadows] (1820) by J. P. R. Cuisin. Afterwards, the theme of power, considered firstly in the physical aspect and then in its supernatural dimension, is analyzed in further four stories. The article concludes with thoughts on the literary objectives of Cuisin’s book and on its potentially caricatural side.
A novel methodology was implemented in the present study to concurrently control power conversion efficiency (η) and durability (D) of co-sensitized dye solar cells. Applying response surface methodology (RSM) and Desirability Function (DF), the main influential assembling (dye volume ratio and anti-aggregation agent concentration) and operational (performance temperature) parameters were systematically changed to probe their main and interactive effects on the η and D responses. Individual optimization based on RSM elucidated that D can be solely controlled by changing the ratio of vat-based organic photosensitizers, whereas η takes both effects of dye volume ratio and anti-aggregation concentration into account. Among the studied factors, the performance temperature played the most vital role in η and D regulation. In particular, however, multi-objective optimization by DF explored the degree to which one should be careful about manipulation of assembling and operational parameters in the way maximization of performance of a co-sensitized dye solar cell.
This article is an attempt to identify the main themes in the literary work of Zygmunt Haupt, a Polish writer, journalist and painter, who emigrated to the United States in the aftermath of World War II. His writings show a keen awareness of the issue of absence/presence and the related problems of memory traits, identity and literary representation. Drawing on the psychoanalytical criticism of Jacques Lacan and Julia Kristeva and the philosophy of Jacques Derrida, this reading of Haupt’s fi ction, especially his short stories (whose collected edition was published in 2007 under the title The Basque Devil), is a critical reassessment of his work. As a storyteller he excels in the depiction of scenes of terror, desire and the uncanny. The article argues Haupt’s work represents not only a remarkable literary achievement but also offers an interesting study case for critics whose approach is founded on literary theory, psychoanalysis and anthropology.
This article examines Słowacki’s preoccupation with eroticism in some of his works and in his correspondence. The first part focuses on his poem ‘In Switzerland’ in which the relationship between the characters is shrouded in ambiguity and the sexual theme is treated in an elliptical manner. Beatrix Cenci, a Romantic drama showing the fi lthy, predatory aspects of sexuality and eroticism, is analysed in the second part of the article. It is followed by a discussion of Słowacki’s correspondence with Leonard Niedźwiecki, conducted in French. The article examines the ways in which the choice of the French language appears to have infl uenced the poet’s articulation of his intimate experiences and desires.
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