This paper explores the ways in which young people aged 12 to 18 who were born in Central and Eastern European EU countries but now live in the United Kingdom construct their future imaginaries in the context of Brexit. It reports on findings from a large-scale survey, focus groups and family case studies to bring an original perspective on young migrants’ plans for the future, including mobility and citizenship plans, and concerns over how Britain’s decision to leave the European Union might impact them. While most of the young people planned to stay in Britain for the immediate future, it was clear that Brexit had triggered changes to their long-term plans. These concerns were linked to uncertainties over access to education and the labour market for EU nationals post-Brexit, the precarity of their legal status and their overall concerns over an increase in racism and xenophobia. While our young research participants expressed a strong sense of European identity, their imaginaries rarely featured ‘going back’ to their country of birth and instead included narratives of moving on to more attractive, often unfamiliar, destinations. The reasons and dynamics behind these plans are discussed by drawing on theories of transnational belonging.

Contemporary design of food labels use different landscape pictures. Using the landscape in trade and market as a way of serving the message has long history and is very common. It was the main reason to create the concept of consumers landscape. According to research results two basic landscape images were observed — images of real landscape (pictures of recognizable and existing places, sites, cities, buildings, etc.) and images of imaginary landscape (imaginary view suggesting the certain type of landscape). The results of conducted researches could be helpful in recognizing the difference between real landscape and imaginary landscape. Conducted researches could be used not only in landscape architecture, but also in trade and marketing. Wide range of phenomenon called consumers landscape allows for expanding the studies on the dependency between a landscape vista and recognizing and selling the product.

The relationship between science and religion, particularly their assumed conflict, has traditionally been discussed in terms of their factual or logical contradictions. The article proposes to change this perspective and to consider them both as sources of images in order to show their powerful interaction in the sphere of the imaginary. It also emphasizes that the historical and cultural context of their interaction is highly important. Based on the 66 in-depth interviews with the (post)Soviet generations of Ukrainian and Lithuanian scientists, the article reconstructs their imaginary of the Divine. Most of them have not retained their Christian belief. Instead, they created an alternative, science-related imaginary that integrated science and religion rather than put the two in conflict. The research provides evidence that the Soviet culture aimed at eradicating religion has in fact planted a seed of a religious sensibility and imaginary that was hidden under the guise of science and that has been persisting through generations.

Contemporary biographical fictions in France: between narrative and visual – This paper discusses an evolution of point of view on biographical fictions from 90’ to the present, due to the important increase of literary practices exploring images and their role in the constitution of the biographical discourse. The relation between fiction and reality presented from the point of view of Paul Ricoeur’s ‘narrative identity’ in first approaches of biographical fictions is now substituted by the reflection about the relation between narrative and visual which discloses, particularly in the case of biographical portraits of writers, the commemorative aspects of a literary text.

The novels of Jean Echenoz are particularly known for their playfulness with which they deconstruct the codes of the paraliterary genres, as well as for a casualness with which they approach the topos of the modernist novel. The production of this author of the last two decades nevertheless testifies of a new direction that slips in the biographical. Like many writers of his generation, Jean Echenoz deals in Jérôme Lindon (2001), Ravel (2006), Courir (2008) and Des éclairs (2010) with the lives of illustrious personalities of our era. We can wonder what the objective of this approach of a writer, who shows his admiration with regard to his characters, is. Is it a simple tribute or need to fill out gaps in history that we will never complete for lack of evidence to support? This paper also tries to deal with the problem of the genre of these texts that lie at the edge between fiction and factual literature.