Abstract
The article examines the rise of the postmodern Holocaust narrative in Polish literature taking
as a case in point Leopold Buczkowski’s novel Pierwsza świetność (First Glory), published 1966,
in the context of the musings of Edmond Jabés and the testimonial writings of Halina Birenbaum. In
this study the postmodernization of the Holocaust is treated as an alternative to the traditional genre
of the Holocaust testimonial. Contrary to the broadly-held view that the postmodern Holocaust narrative
is a fairly recent phenomenon, the article claims that it made its appearance some time after
the war, in the mid-1960s. Its emergence can be seen as an attempt to voice the aporias and doubts
that resulted from the pressure to draw a line on the wartime experiences and move on. Many writers,
including Leopold Buczkowski, were convinced that it was necessary to keep alive the memory
of the Holocaust by encrusting the historic record with other plots, problems and metaphors. This
article is the fi rst in a series of studies of this problem in the 1970s and the following decades of the
20th and the 21st century.
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