@ARTICLE{Kuhn_Michael_Life_2022,
 author={Kuhn, Michael},
 volume={vol. LXXI},
 number={No 4},
 pages={765-778},
 journal={Slavia Orientalis},
 howpublished={online},
 year={2022},
 publisher={Komitet Słowianoznawstwa PAN},
 abstract={Since the end of the 2010s, there has been an autofiction boom in Russian prose. The heroes of this literary cross‑genre are artistic projections of the authors, similar while at the same time not similar to their creators. This article presents the female protagonists of two of the most notable autofiction novels of recent years – There Was No Adderall in the Soviet Union (2017) by Olga Breininger and Wound (2021) by Oksana Vasyakina. In addition, the article describes the different life path trajectories of the young heroines. If the journey of Breininger’s artistic projection leads to self‑destruction, then the wanderings of Vasyakina’s artistic projection lead her home.},
 type={Artykuł},
 title={Life Path Trajectories of Female Authors’ Artistic Projections. The Heroines of the Autofiction Novels of Olga Breininger and Oksana Vasyakina},
 URL={http://www.journals.pan.pl/Content/125856/PDF/2022-04-SOR-04.pdf},
 doi={10.24425/slo.2022.143218},
 keywords={autofiction, modern Russian prose, the heroine of modernity, Olga Breininger, Oksana Vasyakina},
}