@ARTICLE{Stacewicz-Podlipska_Joanna_“In_2023,
 author={Stacewicz-Podlipska, Joanna},
 volume={No XLVIII},
 journal={Rocznik Historii Sztuki},
 pages={119-137},
 howpublished={online},
 year={2023},
 publisher={Komitet Nauk o Sztuce PAN},
 abstract={The phenomenon of the so-called Polish monumental theatre has for nearly a century resisted attempts at conceptualization. Created by artists living in a transitional period and formed in a peculiar “trans-era” mental space, this theatre was wrought from a hybrid substance that combined a Romantic and post-Romantic content with an avant-garde form. Being “simultaneously national and supra-national”, it appeared as a unique conceptual and artistic construct; a construct that was touted as the innovative Polish input into the reform of European theatre. Owing to the heterogeneity of its subject-matter, it was at times included into, and at other times excluded from the body of endeavours of an avant-garde nature; the correct categorization was until now made difficult by the conceptual template constructed around the dogma concerning the incompatibility of the two areas: the avant-garde and the so-called national duties. Seen in the perspective of modern-day research on the variegated nature of Modernism and on its inner tensions, however, this phenomenon may emerge as an interesting illustration of the synthesizing efforts of Modernism.},
 type={Artykuł},
 title={“In the Rhythm of the National Spirit and the Present Time”, or the Efforts of Modernism Versus the (Geo)Logical Core of the Polish Monumental Theatre},
 URL={http://www.journals.pan.pl/Content/129512/PDF-MASTER/2023-RHS-05.pdf},
 doi={10.24425/rhs.2023.147051},
 keywords={Polish monumental theatre, Modernism, avant-garde, national style, stage design, mythopoeia, Stereo Poetics, Leon Schiller, Andrzej Pronaszko, Adam Mickiewicz, Artur Górski},
}