Application of 1-naphthaleneacetic acid (NAA) or 1-aminocyclopropane-1-carboxilic acid (ACC) to maize roots growing in hydroponic solution inhibited root elongation, and increased radial growth, but the responses to those treatments differed in degree. Auxin was more effective than ACC as an elongation inhibitor and root swelling promoter. Whereas NAA fully inhibited elongation and maintained swelling over 48 h, ACC inhibited elongation partially (50%) and only promoted swelling for 24 h. It is well-known that auxin, like ACC, promotes ethylene production, but similar levels of ethylene production reached by means of NAA or ACC treatments did not elicit the same response, the response being always stronger to NAA than to ACC. These results suggest that the effect of auxin on root growth is not mediated by ethylene. Elongation and swelling of roots appear to be inversely related: usually a reduction in elongation was accompanied by corresponding swelling. However, these two processes showed different sensitivities to growth regulators. After 24 h treatment with 0.5 μM NAA or 5 μM ACC, root elongation was inhibited by 90% and 53% respectively, but the same treatments promoted swelling by 187% and 140% respectively. Furthermore, 1 μM ACC was shown to promote inhibition of root elongation without affecting swelling. The ethylene antagonist STS (silver thiosulfate) did not affect elongation in control or NAAtreated roots, but increased ethylene production and swelling. These results indicate that longitudinal and radial expansion could be independently controlled.
The paper examines the special historiographic evidence: the lost last book by the well-known Polish historian and methodologist Professor Jerzy Topolski entitled “Methodology of History at the Beginning of the 21st Century”. Only its working outline in the form of an extensive table of contents has survived, but this does not prevent the author from making interesting hypotheses as to its meaning.
While in the United States Polish newspapers and magazines began to spring up in the late 19th century, in Russia the Polish diaspora did not produce their own press until the early 20th century. This article surveys the contents of three periodicals and other publications produced by Polonia associations in Krasnodar, Zheleznovodsk and Stavropol in Southern Russia.
In 2019 the Polish Jazz Association will celebrate its 50th anniversary. Its activities over that period were accompanied by countless publications in the following categories: 1) regular periodicals; 2) mimeographed typescripts and bulletins; 3) festival programmes and graphics; 4) others (flyers, ephemera, posters). The aim of this article is to examine the mechanisms of PJA publicizing its activities and using media to reach out to the jazz fan community
ABSTRACT:
The purpose of this article is to determine the origins of the enigmatic image appearing on a Silesian bracteate of the Rataje type (Fbg 70). The image has recently been interpreted as radiating circles of light and its symbols associated with St John the Baptist, whose figure appears on Silesian coins relatively often. While analysing the numismatic material, the author focuses on two types of coins which may have served as the model for the Silesian bracteate: half-bracteate from Hedeby, issued in all probability during the reign of Harald Bluetooth (958–987) and the Celtic stater, struck in Lesser Poland (or in Silesia) in the first third of the 1st century BC.
SUMMARY:
One Silesian bracteate from the Rataje group (the issue from 1220–1240) features an image which should be interpreted as radiating circles of light (fig. 1). A closer analysis allows the conclusion that such an interpretation might be based on the Prologue to John’s Gospel, where John the Baptist is associated with the symbolism of light (J 1, 4–9). In the text, Christ’s predecessor is presented as the witness to the Light, heralding the arrival of the Saviour.
While looking for the model, the creator of the die of the Rataje bracteate may have relied on, one might arrive at two alternative solutions. The first one may be related to the half-bracteates struck in Hedeby, associated with the first half of the 10th century and sometimes with the times of Harald Bluetooth’s rule (958–987) (fig. 3), which were, in turn, modelled on Charles the Great’s pennies, struck in Dorestad approximately until the year 790 (fig. 2). Younger half-bracteates from Hedeby, coined in the second half of the 10th century appear both in Pomeranian (such as Gralewo II, Rybice or Świnoujście–Przytór) and Silesian finds (Bystrzyca, Gębice, Kotowice II and Radzików II). Hence, it is possible that they served as the model for the Silesian bracteate in the era of advanced renewal, necessitating frequent changes in the appearance of the dies.
The other solution would identify Celtic staters of the Cracow type as the model for the Rataje bracteate. The coins minted in Lesser Poland from around 100 BC to around 30 AD were described by Marcin Rudnicki in 2012. On some specimens, classified by the scholar as group I, representing “the earliest, prototype variants of the Cracow type” and dated by him to the period from around 100 to around 70 BC, the elements of the die form a composition significantly similar to the image on the Rataje bracteate. Although the Cracow type staters have not been recorded in Silesia, there is no doubt that the coins reached the region, a fact confirmed by their occurrence in Central Poland as well as in Bohemia, Slovakia and as far as in the Zagreb area.
Using the Celtic stater as the iconographic model for the Silesian bracteate might have been connected with the so-called “heads” or “St John pennies”. The name, appearing in sources from 1445 onwards, although certainly used in Poland much earlier, was given to Roman coins, found mainly in Polish lands, whose obverse featured the emperor’s head (identified with the severed head of John the Baptist). It is possible that the notion of “St John’s pennies” designated also other ancient coins. This fact, as well as original iconography, may have influenced the use of the transformed motif from the Celtic coin obverse on the die of the Silesian bracteate. Owing to the rays, the composition may have been associated with the symbolism of light, closely connected with the patron of Silesia and emphasised by the liturgy at the time.
Cwaniary (Female Wanglers) is not only a metatextual novel with numerous references to popular culture, but above all an important contribution to the discussion about the place and role of women in contemporary society. The author breaks with the nineteenth-century image of matka Polka, the Polish Mother, whose existence is confined to family and home. The creations and actions of the female wanglers in Cwaniary, outsiders who defy popular stereotypes by pursuing outré lifestyles, are underpinned with allusions to a nascent rebellion against patriarchy, systemic suppression of women's rights, and the resulting marginalization of women in society. Unfortunately, Poles still have great problems with openness to other cultures, nations, and non-heteronormative sexual orientations. The Poles, it seems, are caught between an irrational fear of disintegration of the structures of their relatively homogeneous society and the need to move on and reinvent themselves as the 'modern subjects' of critical theory. It is a choice between holding on to an anachronistic model of Polish culture founded on suppression or catching up with the 21st-century world of openness, diversity and multiculturalism.