In this paper, I intend to explore the influence of sentimentalism in the works of Gábor Dayka (1769– 1796), a Hungarian poet, an author of sentimental poems imbued with the ideals of the Enlightenment. The sentimental tones of his verses derive first of all from being misunderstood and oppressed and from the impossibility of unveiling the opaque sadness of the mysterious melancholy. Dayka, forced to choose the ecclesiastical career and then abandon it because of his liberal ideas, gradually becomes a sentimental and pessimistic poet who thinks love is painful and projects his pain into nature. I will focus on the sentimental means of expression of Dayka from the poem titled Rettenetes éjszaka (Terrible Night) to Titkos bú (Mysterious Melancholy).

The paper focuses on two research objectives. First, it aims to critically examine a reductio ad absurdum argument against incompatibilism whose main themes can be found in Peter F. Strawson’s Freedom and Resentment. The doubts raised about the argument are inspired by a thought experiment based on fictitious Ludovico’s technique described in Anthony Burgess’s novel A Clockwork Orange. The second objective consists in outlining a version of the compatibilist stance – the version which is immune to Strawson’s objections against the traditional rendering of compatibilism and enables deeper understanding of various possible interpretations of the controversy between compatibilists and their opponents. The proposed position includes a hypothesis on the function of the attitude of participation and the expressivist explications of the concepts crucial for the practice of ascribing moral responsibility. The important feature of the analyses in question is the central role of the states of mind whose content are plans for reactive moral sentiments.

“A school of virtues, kindness, love”: Salani series of romances as modelling text for “New Italy” women – The woman, seen as a children /citizens educator, in United Italy’s nation-building becomes target of an educational action entrusted to publishing industry. The Salani Collection, which is here pragmatically and linguistically analyzed, represents an emblematic example of serial narrative: the author hides himself in the texts as well that the publishing house is the addresser; the novel becomes a model with a unique moral and behavioral message, spread by an accessible language shaped on Tuscan.

Nowadays in e-commerce applications, aspect-based sentiment analysis has become vital, and every consumer started focusing on various aspects of the product before making the purchasing decision on online portals like Amazon, Walmart, Alibaba, etc. Hence, the enhancement of sentiment classification considering every aspect of products and services is in the limelight. In this proposed research, an aspect-based sentiment classification model has been developed employing sentiment whale-optimized adaptive neural network (SWOANN) for classifying the sentiment for key aspects of products and services. The accuracy of sentiment classification of the product and services has been improved by the optimal selection of weights of neurons in the proposed model. The promising results are obtained by analyzing the mobile phone review dataset when compared with other existing sentiment classification approaches such as support vector machine (SVM) and artificial neural network (ANN). The proposed work uses key features such as the positive opinion score, negative opinion score, and term frequency-inverse document frequency (TF-IDF) for representing each aspect of products and services, which further improves the overall effectiveness of the classifier. The proposed model can be compatible with any sentiment classification problem of products and services.

In the last phase of Franciszek Karpiński's life as a writer (the first quarter of the 19th century), he practically gave up poetry and concentrated instead on writing memoirs. This article tries to find out to what extent his autobiographical work, especially his Historia mego wieku i ludzi, z którymi żyłem [A History of My Century and the People with Whom I Lived], is influenced by an attitude characteristic of the sentimentalism of the previous century. As this analysis shows Karpiński's narrative exhibits both a sensitivity much indebted to Rousseau's autobiographical method and skilful shifts of tone, from satire and irony to various shades of melancholy. For sentimentalist aesthetic and poetics the continual manipulation of tone is a means of alerting the reader to the world's complexity. As in the novels of Lawrence Sterne, that complexity is experienced by way of careful observation of fragments of reality, defined by the subjectivity of the observer and the truth of his emotions.

This articles explores the life and work of Elżbieta Glaize Walkerowa, a forgotten poet from the early19th century and owner of a girls’ boarding school in Lwów. Hitherto unknown archival sources, which have been used to reconstruct her biography, reveal that she was a close relative of François Glaize, Poland's most eminent tapestry-weaver, with connections to the House of Działyński (the Trojanów branch). The second part the article focuses on Elżbieta Glaize's 1801 debut poetry volume Pierwiastki mojej muzy [ Elements of My Muse]. The poems, written in the sentimental style which was in fashion at that time, represent the sensitivity and worldview of a young woman who, having been raised in a home steeped in literary culture, was keen to showcase her own literary ambition.