Humanities and Social Sciences

Meander

Content

Meander | Vol. 80 (2025)

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Abstract

The responses of members of the editorial committee of “Meander” to the questionnaire marking the journal’s eightieth anniversary.
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Authors and Affiliations

Krystyna Bartol
Małgorzata Borowska
ORCID: ORCID
Jerzy Danielewicz
ORCID: ORCID
Włodzimierz Lengauer
Ignacy Lewandowski
Marian Szarmach
Mikołaj Szymański
ORCID: ORCID
Joachim Śliwa
ORCID: ORCID
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Abstract

Prof. Juliusz Domański provides an account of his ties with “Meander” during his rich scholarly career.
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Authors and Affiliations

Juliusz Domański
1

  1. Instytut Filologii Klasycznej, Uniwersytet Warszawski
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Abstract

Rev. Marek Starowieyski, Professor Emeritus of the University of Warsaw, narrates about his life, with the emphasis on the presence therein of “Meander”.
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Authors and Affiliations

Marek Starowieyski
1

  1. Instytut Filologii Klasycznej, Uniwersytet Warszawski
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Abstract

Dominika Budzanowska-Weglenda reflects on the life of the late Prof. Jerzy Wojtczak- -Szyszkowski (2nd October 1939 – 22nd February 2024), her Doktorvater and teacher, through the prism of personal memories.
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Authors and Affiliations

Dominika Budzanowska-Weglenda
1
ORCID: ORCID

  1. Wydział Nauk Humanistycznych, Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
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Abstract

The article presents a translation into Polish of a letter from a Hittite king to an Assyrian ruler (CTH 171), accompanied by a historical and philological commentary. The letter is an important source for the study of the language of diplomacy in the second half of the second millennium BC; it also stands out in the corpus of Hittite letters due to the clearly emotional and irritated tone of the Hittite king’s writing.
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Authors and Affiliations

Dominika Lewandowska
1
ORCID: ORCID

  1. Zakład Wschodu Starożytnego, Wydział Kultur Azji i Afryki, Uniwersytet Warszawski
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Abstract

A translation of quaestio 1 of Book II of Plutarch’s Table Talk into Polish, preceded by a short introduction.
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Authors and Affiliations

Katarzyna Jażdżewska
1
ORCID: ORCID

  1. Zakład Filozofii Starożytnej i Średniowiecznej, Instytut Filozofii i Socjologii, Polska Akademia Nauk
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Abstract

This article discusses the narrative structure of the Oracula Sibyllina. Although this poem consists of different segments by various authors, it is demonstrated that the poets frequently adopt similar techniques, thus following a certain “Sibyllistic” convention.
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Authors and Affiliations

Radosław Rogowski
1

  1. Kraków
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Abstract

The article offers a subjective review of several mysterious issues arising in relation to Ovid’s work, both concerning the poet’s biography (particularly his exile) and obscure passages in his poetry. Some related conjectures are also proposed.
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Authors and Affiliations

Elżbieta Wesołowska
1
ORCID: ORCID

  1. Instytut Filologii Klasycznej, Uniwersytet im. Adama Mickiewicza w Poznaniu
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Abstract

This article discusses the career of Nicephoritzes, an influential eunuch at the Byzantine court of Michael VII Doukas. Following the death of Basil the Bulgar-Slayer in 1025, the Byzantine Empire was falling into crisis. This period was marked by numerous coups and intrigues, which weakened the imperial power. Nicephoritzes seized the opportunity. Initially, he served different positions at the imperial administration, where his talent for intrigue first became manifest. Eventually, he found favour with the Caesar John Doukas and was appointed as the counsellor of his nephew, Emperor Michael. Nicephoritzes soon managed to earn the latter’s approval and started to conspire against his uncle. He was failing to plot the fall of the still influential John Doukas. At last he succeeded, which allowed him to commence implementing his financial recovery plan. His actions, however, turned out to be overly radical for his time. Although suppressed, protests undermined the imperial power. Eventually, two rebellions broke out simultaneously. While Nicephorus Bryennius’ revolt in the West was suppressed, the rebellion in the East led by Nicephorus Botaniates had more serious consequences. The emperor’s indecisive behaviour led to the rebels’ taking over the capital, Nicephoritzes himself having to flee Constantinople. He was ultimately seized and handed over to the new Emperor Nicephorus Botaniates, who ordered to put him in jail where he was soon tortured to death.
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Authors and Affiliations

Mateusz Kozina
1

  1. Szkoła Doktorska Nauk Humanistycznych, Teologicznych i Artystycznych, Uniwersytet Mikołaja Kopernika
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Abstract

A Polish translation of François Rabelais’s ancient Greek epigram, with brief commentary.
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Authors and Affiliations

Karol Wapniarski
1
ORCID: ORCID

  1. Faculty of Philosophy, University of Cambridge – Wydział Filologii Polskiej i Klasycznej, Uniwersytet im. Adama Mickiewicza w Poznaniu
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Abstract

A discussion of the obelisks in architects’ drawings related to Warsaw’s Royal Route and its vicinity. Monuments of this type emerged in Polish art as early as the seventeenth century, as evidenced, for instance, by the complex of the Forum Vasorum envisaged by Giovanni Battista Gisleni. Their popularity peaked under the rule of Stanisław August Poniatowski through the first half of the nineteenth century, since they aptly served commemorative, honorific and triumphal purposes. Although due to Poland’s turbulent history a number of plans for building such monuments have never been completed, their popularity is a testimony to Poland remaining under the influence of Mediterranean culture throughout centuries.
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Authors and Affiliations

Adam Tyszkiewicz
1
ORCID: ORCID

  1. Wydział Geografii i Studiów Regionalnych, Uniwersytet Warszawski
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Abstract

When planning the celebrations for the inauguration of the Suez Canal in November 1869, Ismail Pasha included in the programme a gala premiere at the specially erected Khedivial Opera House in Cairo. Contrary to popular belief, however, rather than Verdi’s Aida (which had not been finished on time), another work by the same composer was staged, namely Rigoletto (on 6th November 1869). The opera performance was preceded by a solemn cantata for choir and orchestra, written for the occasion. Unfortunately, surviving accounts do not allow us to unequivocally identify the composer of this work. Some sources attribute the cantata to Prince Joseph Michael Poniatowski (1816–1873), an Italian-French--Polish composer, opera singer and politician, while others name Ludwik Grossman (1835–1915), a musician associated with Warsaw. Musicologists have not yet been able to solve this problem. Meanwhile, the Cairo premiere of Aida, Verdi’s truly “Egyptian” opera, did not take place until two years later (24th December 1871).
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Authors and Affiliations

Joachim Śliwa
1
ORCID: ORCID

  1. Instytut Archeologii, Uniwersytet Jagielloński
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Abstract

In the first half of the twentieth century a group of German classical philologists, led by Werner Jaeger, apprehensive about a profound cultural change which they regarded as marking a universal crisis of European culture, came up with the programme of a new humanism. The humanism that Jaeger wanted to build was to be based on Greek culture of the eighth–fourth centuries BC and centred around the concept of the classical (das Klassische). He opposed it to historism, which he took to be a relativist negation of values. The eminent philologist Karl Rheinhardt did not espouse this programme. He was of the opinion that essential to the work of a philologist concerned with ancient Greek literature was an uneasy tension between the intuition of the classical and the methodical – i.e., historical – study of the past. Hermann Fränkel and Bruno Snell also did not share Jaeger’s apprehension, as they believed in historical reason, i.e., that form of rationalism which, in their opinion, allowed one to see cultural values as historically variable and, at the same time, to recognize them as real values nonetheless. Less clearly shaped, yet ultimately similar were the views held by Rudolf Pfeiffer.
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Authors and Affiliations

Benedetto Bravo
1

  1. Wydział Historii, Uniwersytet Warszawski
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Abstract

The stunning career of Zuzanna Ginczanka (1917–1944) in interwar high literary society was cut short by the persecution of Jews in Nazi-occupied Poland, ending in her murder by the German invaders. Her life and poetry have been attracting increased attention in recent years. The following discussion presents her gymnasium juvenilia published in the classical journal “Filomata” – the poem Słoneczny mit (Sunlit Myth) on the enduring power of Graeco-Roman culture, her published debut, and a verse translation of Phaedrus’ fable The Fox and the Stork – in the school context of the Polish eastern borderlands and the strong presence of classical antiquity in Poland’s contemporary culture. In addition, the article includes a portrayal of Eufemiusz Dumański, a Latin teacher in the Polish state gymnasium in Równe in Volhynia (now Rivne, Ukraine) attended by Ginczanka, who won some fame through his musical arrangements of Horace’s poems.
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Authors and Affiliations

Alina Kwapisz-Kulińska
1

  1. Warszawa
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Abstract

In this article, the authors publish a letter, with commentary, sent in February 1946 by Professor Zygmunt Czerny (1888–1975), a renowned scholar of Romance languages, to Professor Stanisław Witkowski (1866–1950), an eminent Hellenist, with an informal enquiry regarding Witkowski’s willingness to assume the chair of Latin Studies at the newly formed Faculty of Humanities at the Nicolaus Copernicus University in Toruń, founded six months prior. Both correspondents were professors at the Jan Kazimierz University in Lwów (today Lviv) before World War II, and after the war they became affiliated with various Polish universities. The article also considers some aspects of the post-war reality in which the scholars found themselves.
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Authors and Affiliations

Włodzimierz Appel
1
ORCID: ORCID
Krzysztof Królczyk
2
ORCID: ORCID

  1. emerytowany profesor zwyczajny, Uniwersytet Mikołaja Kopernika
  2. Wydział Historii, Uniwersytet im. Adama Mickiewicza w Poznaniu
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Abstract

A review of the two recent Polish renderings of the Odyssey by Robert Chodkowski and Antoni Libera.
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Authors and Affiliations

Włodzimierz Appel
1
ORCID: ORCID

  1. emerytowany profesor zwyczajny, Uniwersytet Mikołaja Kopernika
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Abstract

A review of Nathanael Stein’s book titled Causality and Causal Explanation in Aristotle.
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Authors and Affiliations

Adam Włodarczyk
1
ORCID: ORCID

  1. Instytut Filologii Klasycznej, Uniwersytet Warszawski
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Abstract

A review of the Polish translation of Maximus of Tyre’s Dissertations (Dissertationes), with an introduction and commentary by Marian Szarmach. The volume includes a selection of fourteen dissertations on strictly philosophical topics in the spirit of Middle Platonism, of which Maximus of Tyre was one of the representatives in the second century AD.
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Authors and Affiliations

Kazimierz Pawłowski
1
ORCID: ORCID

  1. Instytut Literaturoznawstwa, Uniwersytet Kardynała Stefana Wyszyńskiego
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Abstract

The subject of the review is a collective volume about one of the most distinguished classical philologists in history: Ulrich von Wilamowitz-Moellendorff. The book contains three types of texts: a Polish translation of an excerpt from Wilamowitz’s memoirs dedicated to growing up in Cuyavia, a reprinted collection of Polish articles published during the interwar period and contemporary essays on his academic achievements and connections to his homeland.
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Authors and Affiliations

Michał Norbert Faszcza
1
ORCID: ORCID

  1. Instytut Historii, Uniwersytet Śląski w Katowicach
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Abstract

A discussion about Ovid’s poetry and the art of translation with the authors of a newly published Polish translation of Amores.
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Authors and Affiliations

Barbara Bibik
1
ORCID: ORCID
Aleksandra Arndt
Łukasz Berger
Monika Miazek-Męczyńska
Ewa Skwara
Elżbieta Wesołowska
ORCID: ORCID

  1. Katedra Filologii Klasycznej, Uniwersytet Mikołaja Kopernika w Toruniu
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Abstract

The present fable, accompanied by a brief introduction, is a literary exercise inspired by one of the rhetorical exercises from the Progymnasmata of Pseudo-Hermogenes, as translated into Latin by Priscian. The following story about apes founding a city can serve as an example for students wishing to develop their Latin composition skills.
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Authors and Affiliations

Damian Pierżak
1
ORCID: ORCID

  1. Instytut Literaturoznawstwa, Uniwersytet Śląski w Katowicach
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Abstract

A free Polish translation of Horace’s Ode I 5 (Quis multa gracilis).
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Authors and Affiliations

Agata Łuka
1
ORCID: ORCID

  1. Lublin
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Abstract

The German text of Hermann Hesse’s poem titled Stufen (Steps) is followed by a Polish translation and a new translation into ancient Greek.
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Authors and Affiliations

Jerzy Danielewicz
1
ORCID: ORCID

  1. Instytut Filologii Klasycznej, Uniwersytet im. Adama Mickiewicza w Poznaniu

Instructions for authors

Guidelines for Authors

In accordance with our mission of propagating knowledge about ancient culture among Polish readers, the language of publication in “Meander” is Polish.

1. We accept only original articles, translations, literary works, reviews and memoirs that have not been published elsewhere. We ask authors to send their submissions as an e-mail attachment to the editorial board’s email address: meander@uw.edu.pl, we will however also accept submissions in other forms. The editorial board does not return the submitted materials. All scholarly works published in “Meander” undergoe external review and all publications a thorough editing process. The review process is described in detail at https://journals.pan.pl/meander/ in the „Peer-review Procedure” section. The author will receive an author’s copy and an electronic version of their article (in pdf format). Please remember to leave a contact address (preferably an e-mail address).

2. The font in the main text should be Times New Roman, 12 pt, 1,5 spacing. Quotes from modern authors should be placed in quotation marks, words in foreign languages and Latin quotations in the main text should be in italics, Greek words and quotations do not need to be italicized. Please use Unicode for the Greek. Longer quotations (Latin, Greek, and translations) should be placed in a separate paragraph and written in a smaller font (10 pt), without quotations marks. Footnotes should be placed below the main text. In the main text try to refrain from using abbreviations and digits. The text should include short abstracts and key words in Polish and English. An argumentum in Latin is also welcome but not mandatory.

3. References should take the following form:

Th. A. Schmitz, Moderne Literaturtheorie und antike Texte. Eine Einführung, Wissenschaftliche Buchgesellschaft, Darmstadt 2002, p. 126–154.
M. Cary, H. H. Scullard, Dzieje Rzymu. Od czasów najdawniejszych do Konstantyna, trans. by J. Schwakopf, vol. II, Państwowy Instytut Wydawniczy, Warszawa 1992, p. 424–440.
K. Kumaniecki, Nad prozą antyczną, [in:] O sztuce tłumaczenia, ed. by M. Rusinek, Wrocław 1955, p. 99–109.
M. Campbell, Three Notes on Alexandrine Poetry, Hermes 102, 1974, p. 38–46.

The name of the publishing house can be omitted if the referenced work was published more than 50 years ago. Please avoid the abbreviations “f.”, “ff.”, referencing instead the exact pages or verse numbers. References to works that have already been quoted should take the form: Campbell, op. cit., s. 42. If more than one work by a given author has been referenced, “op. cit” should be replaced with an abbreviated form of the title. Please include a bibliography containing all the works mentioned in the footnotes.

4. References to ancient works should be reasonably abbreviated, as is the common practice:

Hom. Il. I 1; Pind., fr. 58 Snell-Maehler; Soph. Oed. Col. 103; Pl. Men. 70 b – 73 c; Aristot. Metaph. IV 1007 a 21–26; Cic. De or. III 93–95; Quint. Inst. VIII 6, 44.

Additional info

"Meander" online:


Tables of contents from 1946 to 2008 are available in the Baza Czasopism Humanistycznych i Społecznych Muzeum Historii Polski [Polish History Museum’s Database of Humanities and Social Sciences Journals]: https://bazhum.muzhp.pl/

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Publication Ethics Policy

Publication Ethics

“Meander” follows the guidelines of publishing ethics as laid out in the COPE Code of Conduct ( https://publicationethics.org/core-practices). “Meander” does not collect any fees from authors.


Authorship and contributorship

We accept only original articles which have not been published elsewhere nor are under consideration for publication elsewhere at the time of submission. If the author is submitting a paper based on their previous work, they must diligently acknowledge this fact in the appropriate footnote. All authors of the submission must be clearly stated, with the appropriate affiliation – by “author” we customarily mean the person who significantly contributes to the guiding idea, structure, analysis, conception and writing of the submission and takes responsibility for its entire content or a particular section. If there are two or more authors of the submission, a corresponding author shall be named, whose responsibilities include signing the relevant agreements, responding to queries about the submission, communicating with the editorial board, and manuscript corrections and proofreading.
Persons whose contribution does not meet the criteria for authorship but whom the author(s) would like to thank can be listed in the first footnote.


Conflict of interest or competing interests

Any possible conflicts of interest or competing interests which may exert undue influence on the review or publication process in “Meander” should be made known to the editors by authors and reviewers.
The editorial board makes every effort to ensure that no conflict of interest arises during the review process. The reviewer is chosen from a research institution different from the author’s and the review process is double blind (the reviewer does not know the identity of the author and vice versa).
Information about funding, where necessary, should be included in the first footnote of the article.


Policies on data sharing and reproducibility

All articles published in “Meander” from 2021 onward are published in the form of the so-called Gold Open Access, under The Creative Commons Attribution License 4.0 ( https://creativecommons.org/licenses/by/4.0/deed.en). Authors are encouraged to place articles published in the journal in open repositories, under the condition that a link to the journal’s website is provided.
For articles published before the year 2021, the copyright policy is different from the above. Nevertheless, access to these articles is free from fees or any other access restrictions. Permissions for the use of texts published in „Meander” may be sought directly from the Editors, by writing an e-mail to: meander@uw.edu.pl.


Intellectual property

We are deeply committed to ensuring scholarly conscientiousness of the papers published in our journal and respect for the scholarly norms elaborated throughout the centuries of studies on Antiquity. We strongly encourage authors to heed carefully the guidelines for quoting or otherwise referencing the works and ideas of others; the scope both of verbatim quotes (placed in brackets) and of referencing the work of other scholars (introduced in a clear manner by statements such as “According to X…”, “As noted by Y…”) must be distinctly designated and an appropriate footnote containing a precise bibliographical entry of the work referenced must be supplied. Apart from exceptional, appropriately annotated cases, it is not allowed to use second-hand quotations; it is assumed as a general rule that the author has direct knowledge of all the works referenced in their paper. All sources used by the author(s) must be referenced. Failure to appropriately acknowledge the work of another constitutes plagiarism and will not be tolerated (see next section).


Ethical oversight

The editorial board is committed to the upkeep of ethical standards and will not allow any papers written with the use of unethical practices to be published. The editors have the responsibility to check for potential cases of plagiarism or citation manipulation and will diligently do so. If such practices are detected – in particular the use of plagiarism – the article will be disqualified from being published in “Meander” and the author will be asked for an explanation. Articles that are proven to have been created with the use of aggravated unethical practices after their publication can be removed from the journal’s website.

We treat seriously any allegations of misconduct or malpractice, major and minor, whether they arise pre- or post-publication. In case of a breach of ethical standards, the editors will react with severity appropriate to the magnitude of the transgression. Potential sanctions that may be applied in such cases range from a letter to the author to contacting the author’s employer or institution. Authors are always given the opportunity to answer to any accusations of misconduct.

Given that the focus of “Meander” is broadly speaking Classical Antiquity, the editors do not foresee submissions which would raise other ethical concerns (e.g. publications on vulnerable populations, research using animals, confidential data, etc.).


Complaints and appeals

The editorial board of “Meander” takes pains to resolve all potential complaints and appeals for the benefit of all those involved. The first point of contact in case of complaints or appeals should be the editorial board (at meander@uw.edu.pl) or the editor-in-chief ( jan.kwapisz@uw.edu.pl). If the complaint concerns the editor-in-chief, it should be addressed to the Head of the Committee on Ancient Culture of the Polish Academy of Sciences.

Should complaints regarding reviewers or the review process arise on the part of the author(s), the editors will do what they can to solve the issue, including by sending the article to an additional reviewer, when necessary. The editorial board is represented by the editor-in-chief, appointed by the Committee on Ancient Culture of the Polish Academy of Sciences and accountable before the Committee in accordance with the Committee’s regulations.


Post-publication discussions and corrections

“Meander” welcomes post-publication discussions in the form of letters to the editor.

Corrections or responses (e.g. to reviews) are published as soon as possible (preferably in the next volume) in accordance with Polish press law (Dz.U. 2018 poz. 1914, https://isap.sejm.gov.pl/isap.nsf/DocDetails.xsp?id=WDU20180001914).

Peer-review Procedure

Peer Review Process

All research papers submitted to “Meander” undergo a review process as follows:

1. The editorial board approves the article for external review. If the article is not deemed to be of enough merit, the editorial board can reject it without the external review process taking place (desk rejection). Articles should be prepared according to the guidelines for authors available online or on the third page of the cover of every issue of “Meander”. Failure to comply with the guidelines may result in returning the article to the author for corrections at an earlier stage.

2. Every paper approved for review is sent to an independent reviewer who is not associated with the author’s research institution. The reviewers are experts in their respective fields, chosen according to the subject matter of the submitted article. The editorial board informs the author about submitting their article for review.

3. The review process is anonymous, the identity of both the reviewer and the author is concealed (double blind review).

4. The reviewer recommends the article for publication, correction, or rejection.

5. Basing on the review, the editorial board decides to accept the article, return it to the author for correction, or reject the article. The editorial board discloses the content of the review to the author and informs them of the outcome regarding their text, suggesting necessary corrections if need be. In some cases, especially if there arises the need for far-reaching corrections, the editorial board can have the article reviewed again, by a second reviewer, after its resubmission.

6. If the review process is taking more than three months and the author has not heard about its outcome, they should contact the editorial board. Please do not enquire about your article before that time.

7. Accepting the article for publication does not mean it will be published exactly in the form it was submitted as all papers undergo a thorough editing process (with the author’s permission).

8. Materials which are not of a strictly scholarly nature – such as reviews, obituaries, interviews, reports, literary works – are not in general submitted to external review, but they may be if the need arises.

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